Saturday was always the best day. No school. No worries. You would get up and gobble down breakfast. Maybe some Super Sugar Crisp. Man that was rocket fuel. It had to be 100% sugar. Top it off with a couple of white powdered donuts and a big glass of orange juice. You wiped the white sugar off of your shirt. Or you didn’t. It flew off anyway as you went out to run around with your friends. The gang would meet up in front of the gynie pump in middle of the block. That was the focus of the block. There was a big gang of kids. Different ages but all pretty close in age. We were the baby boomers. Born in the 50’s and we were together all the time. Went to the same Catholic schools. Same church. Same streets. We all knew the same stuff. And that was all we knew. That and no more.
Everybody was Italian. Or least your Ma was Italian. My
Da was Irish as was two of the other kids. There was a Greek. And one who was
an Americana since his pops came from Kentucky. We were pretty homogenous if
you look at it that way. Since we were all the same we sort of all got along. I
mean there were fights all the time and we ranked each other out and busted
balls unmercifully. We duked it out with other blocks and other neighborhoods.
But the guys on Tompkins Place stuck together. Even when you were a weirdo.
We had a couple of kids we considered weirdo’s. There was
Louie Nerve. He was always shouting out curse words and spitting and acting
like a dick. Now we would say he had Tourette’s syndrome. Back then we just
said he was all fucked up.
There was Nancy the Retard. Which she was by the way. I mean
she was an actual retard. A Mongoloid kid who lived in the middle of the block.
She was exactly my age and the age of my closet buddies. She always tried to
hang around with us. You would think that the kids would be mean to her. But we
weren’t. I mean we knew her all our life. And our parents would kick our asses
if we were mean. Plus she was fucking strong. I mean Hercules strong. She could
beat the shit out of most of us when we were little kids. Not so much anymore
as we were just hitting puberty and some of us were getting our growth. That
wasn’t an issue anymore. We just made sure to include her when she came out.
She couldn’t play fistball or stickball but she was a pretty good stoop ball
player and hell on wheels at Sckelly.
Her pudgy fingers would send that bottle cap flying across the board
like a rocket and knock your cap right up onto the sidewalk. Things has started
to change in the last couple of years. Most of the girls stopped with the
street games. Even the tomboys. That summer were into combing their hair into long
straight hairdo’s like Joni Mitchell and Marianne Faithful. The girls were all
about make-up and giggling and fighting amongst themselves about some bullshit
we didn’t understand. Except for Nancy the Retard. She just stuck with her Pete
Rose haircut and tried to hang out with the gang.
The weirdest of the kids was Jacob. Jacob Golden. He was the
only Jew on the block. Maybe even in the neighborhood. His Mom had bought old
man Russo’s house after he died. She was some sort of big shot professor at
Brooklyn Law and all the ladies on the block hated her. Not because she was
Jewish. Well not “just” because she was Jewish. She was divorced! And she
worked. Short and skinny and mean. Smelled like cheap wine and cigarettes. And
weed. Left her kid alone all day and night. He was the original latch key kid. It
was even worse than that. She had taken up with a never-do-well type guy that
she had met at the college. He was the janitor or something. They weren’t even
married. They drank and fought all night long. I mean that wasn’t unusual in
the neighborhood. Everybody’s parents fought. Sometimes the wives got smacked
around. But Jacob’s Mom was the Smackor not the Smackee. That’s lawyer talk. Which
she was quick to throw out whenever she dealt with normal people. So most of us
kinda felt sorry for Jacob. I mean we still busted his balls all the time. He
was a skinny fuck and too quick to run his mouth. But we included him in our
games because we felt sorry that his Mom was such a nasty cunt.
This particular Saturday we started out playing stoopball.
That’s where you take your spaldeen and bounce it off the bottom step of a
stoop. You scored based on where the ball went. If the team on the field caught
it you made an out. Usually we said if you hit six foul balls you made an out.
But if you hit it right and it went right across the street to the opposite side
you got a hit. If it hit the side walk it was a single. If it went into the area
gate it was a double. If it hit the building across the street it was a home
run. You almost never did that. Which was good because if you hit a window you
had a good chance to break it.
Stoop ball was good because you could have any number of
players as long as you had two. So you started out and as more guys showed up
you added them to the teams. Once we had enough guys we would choose up a game
of fist ball. Then you would switch to a pimple ball. That was easier to hit
with your fist and didn’t hurt so much. You saved the spaldeen’s for stoop ball
and stick ball because they would really fly. Plus the pimple was cheaper and
we were always losing them. You played fistball like baseball in the middle of
the street. You just didn’t have a bat or even a stick like in stickball. You
just threw the ball up and punched it as hard as you could and ran the bases.
Which were always a car for 1st and 3rd and a sewer cover
for second. I was a pretty good player. Not the best but not the worst. That
was Jacob. He was even worse than the Retard.
It wasn’t good for his self-esteem. I guess it was a good
thing that we didn’t know what the fuck self-esteem meant back in those days.
Otherwise more of us would have been depressed.
55 comments:
I have been reading the rules about submission to Amazon Kindle and it seems you can not have it on your website if you publish it in Kindle as it has to be exclusive. So I will be taking all of this down when I am ready to publish.
That kind of sucks.
I don't know if that is true so I have to do more research.
I sure hope that what you publish is different than what you post, just sayin'.
For instance, I will need to see a transcript to proofread it, and the resulting changes, should, by some definition (you got a good lawyer, you mook?) render what you submit to Kindle different than what you have posted.
A good lawyer could point out the spelling corrections and make the case that your Kindle book was actually in English, or something.
I'm saving it so I can sell bootleg copies out of my hot dog cart.
On a somewhat related note, I am cleaning my house, because dirty, and last night I found an old New Yorker magazine from the '90s. I always liked the cartoons, and in this one there was one of a guy sitting next to his push cart on an NYC street. The sign read "Handguns, $49.95".
Prescient? Ironic? Under-priced?
I think it will be significantly different in the published version as it will be longer. These blog posts are no where long enough to be chapters in a book. So it will definitely be a much different thing.
But otherwise how did youse guys like the story.
Do you think "The Wonder Years" meets the "Sopranos" will fly as a one sentence summary for blake to sell the screenplay?
Wait, we were supposed to be reading these things? Damn, now I have my work cut out for me!
Yes you are supposed to be reading them. Not just correcting the spelling.
Jeez you are breaking my balls.
I am also worried about their content restrictions. Is this too rough for them? I mean it I don't think it is but how politically correct are they and what will they not accept?
You've got the nub of a good screenplay there in your story.
It needs a priest and an adult in a confessional confessing everything he did as a kid. Or maybe an old man in a nursing home writing the story of his life, starting when he was a kid.
It could use some car chases and lesbians. Maybe lesbians in cars chasing each other, I dunno.
Funny you should say that. There is a child molester in the story. The twist? It's not the priest.
There is not a lesbian. But there is a young nun who might be touching our hero inappropriately.
(She is not the molester by the way)
I have to figure out how to fit everything in. It might be tight.
Yes that is what the nun said.
What the hell is a "gynie pump"? Sounds like some sort of a city thing.
If the author can let the kid express more of his observations and feelings, there will be more of a hook.
Right now it reads like a framework, one that involves the author with adult knowledge and awareness of what was, telling about the kid and his companions which is a good set-up, like a sketch before more color is added. More kid voice is needed.
Kids are all about perceptions, what they see, hear, feel, touch, smell, which lead to feelings, thoughts and beliefs.
How do parents know if you're mean to Nancy? Did it happen once? How did word of that get around?
What's it feel like to get beaten by a retard? A mix of admiration and shame?
What evidence does the kid have that Jacob's mom is a smackor?
When does Louis let loose, and what does it sound like?
What comes through right now is a strong sense of freedom, boundaries, belonging, acceptance...and waiting, knowing this fun isn't going to last.
Trooper, Kindle does not have exclusive rights. Leslyn also has her book on Nook, through Smashwords.com, and she could also sell it on her website. What you can't do is sell it LESS than the Kindle price. When it comes time for formatting Leslyn can help you out.
Thanks Nick. I just think Kindle is the best platform for me. So I have to figure it out. All help is greatly appreciated.
Your points are really appreciated MamaM. The tense is troubling me. I don't really want to do first person. I want the perspective to change much like it does in the "Game of Thrones" books. This is just an outline as you said. I really have to flesh it out. I think the trick it to not make the "coming of age" and "neighborhood flavor" be so overwhelming that it turns off people who are there for the blood and guts Mafia story. A tough balance to strike.
First and third person are usually cars. Just sayn'
Who?
Sixty Grit said...
What the hell is a "gynie pump"? Sounds like some sort of a city thing.
Troop should add footnotes. A "gynie pump" is what used to be called a town pump in smaller cities. The context fits -- it's where the boys used to gather.
Amirite, Troop?
When does Connie get written back in?
Who would you cast to play her, Trooper?
BTW, what is that a photo of, Troop? It looks like a manhole cover and a stick ball. But I'm not sure because I never played on that team.
That is a pimple ball. It was usually 5 cents and a spaldeen was ten cents. We lost them all the time they would go down the sewer or over the roof or some old nasty guy like Sal the Plumber would get it when it hit his Ford Country Squire Station Wagon and he wouldn't give it back.
The only time you would lose your balls quicker is if you married a law professor. Just sayn'
A gynie pump is a fire hydrant.
Connie will come in later. But was an ideal that will never be realized. In reality she was a nasty cunt. Who went on to have five kids and three husbands before she was thirty and now looks a lot like a gynie pump. Just sayn'
But back in day oh back in the day.
Think a youngAlyssa Milano.
Oh, now I can see why all the fire hoses hooked up.
It will be challenge to describe her. Especially through a boy's eyes.
Trooper York wrote...
"A gynie pump is a fire hydrant."
Yeah, I suppose it could be, but it sounds awkward, at a minimum.
If the term is real Brooklyn dialect, I would use it. Beware the spelling though. If I were writing about my youth, I would use words like bubbler (drinking fountain), pop (soda), and quarter barrel (beer keg size). People in California wouldn't get it at all.
I really like your writing style and the local flavor. Even if the words are those that are not used in California...lol...you should continue on with it because it makes people stop and look up information. By keeping the dialect and vernacular you create a more real picture in the reader's head and gets you into the time and scene.
I have a relative who just recently put a book onto Kindle: so, as a matter of duty I am reading it so that when we meet I can intelligently discuss the plot and characters. Trudging through actually. Even though the book is grammatically correct, the punctuation is good and nothing is misspelled.... things that really really bother me when reading, there is much that is making it difficult to go through the book.
Here are some of the things that are wrong.
Too much description of buildings, flowers, rugs, furniture, clothing in the beginning of the book. It went on for page after page after page of tedious description. Alright already, we get it....the building is opulent, the characters are rich assholes.
Too many characters being introduced all at once in the first chapters....after all the flowery description....with little to no description of the characters or any revelations of their personality. Or much indication of what their potential roles might be. I know I just complained about too much description, but the characters need more than to be just plopped willy nilly into the plot.
All of the characters 'speak' and 'think' with the same voice. Meaning that you cannot tell one person from another by the dialogue since they are all speaking basically in the author's voice. When you get to where the author is describing the plots or what the characters are supposed to be thinking....again...all the same voice. Change it up. Not everyone has the same tone of voice.
Characters speak in the dialogue parts using verbiage and words that are not IN character. Words and technical terms that while used by the author speaking in the "God" mode work....in a conversation or dialogue...not so much. It is jarring.
The characters seem to know way too much technical information that is out of character with their roles in the story. I know the author is trying to get in as much detail as possible, but it is not believable that every character knows everything so well.
The plot is interesting and has potential for adventure and maybe even, if the characters are allowed to be more dimensional, some romance.
Just some observations from a person who reads a lot, who can't write fiction, but who is obviously opinionated.
:-)
That was helpful. Especially the part about being able to tell the characters apart.
But I do have a question. Are your comments about "Joey" or about your relatives book.
Oh and don't worry about criticism. It isn't any good if it isn't hard.
At least that was what Connie always said.
These passages is just me noodling around. I have to tighten them up a lot and put in more action and fun.
Striking a balance is as always the key.
I like what you've posted thus far. Obviously, these are snippets, but it does pique my curiosity where it's all going. Are we going to follow this guy through to adulthood or does something happen during this period of his life? Like most literature these days, I suppose the smart marketing move is to tell a story while he's still a kid, then spin the sequels endlessly.
Oh ...about my relative's book. I'm looking forward to the Joey Gallo's Lament.
I do really admire people who can write fiction. It is just not something that I am very good at doing. Kinda like the question of what is porn? I know good writing when I see it.
The POV from the kid's perspective is interesting and adds the element of some tension in that what the kids see is not really exactly what is going on. Filtered through the eyes of the "yutes". Sort of how the goings on in the South and race relations (god don't let this attract Crack's attention) were filtered through the eyes of Huck Finn. That made the book much more powerful, I feel, than if the story were told by the adults.
Of course at some point, your characters will grow up and their POV will change.
Windbag has the idea. This is about a couple of specific incidents that actually happened when I was a kid.
Maybe it can grow into a series. Who knows?
Thanks DBQ. I am trying to alternate the perspective a little. The gritty crime story mixed with the misty water-colored memories of the way we were.
Of course the two storylines will converge.
In what I hope is a very interesting way.
It will be good to see Barbra back on screen again.
I had a pint of SoCo
In the pocket of my coat
You can hardly taste the alcohol
I watched her from the keg line
But I never said a word
I was young and I felt so small
I was no one then
Who was I?
She was the Town Crotch
She was good to go at any time
She was the Town Crotch
And I loved her like she was mine
There's a lot of things
I don't remember now
I remember the Town Crotch
I remember the Town Crotch
I can't imagine Amazon has much in the way of content control. They have a popular line of "chicks having sex with dinosaurs" "romance novels".
Hey! That's what this needs: Make it "Wonder Years" meets "Soprano" by was of "Jurassic Porking" and we got ourselves a picture!
"Too much description of buildings, flowers, rugs, furniture, clothing in the beginning of the book. It went on for page after page after page of tedious description. Alright already, we get it....the building is opulent, the characters are rich assholes"
Sounds like Theodore Dreiser
It's gonna be 90 degrees in the shade tomorrow...you bringin' anything to drink?
A corterbarrel..
Of what?
...Miller
There's gonna be kids there. What about pop?
...There's a bubbler at the park.
DBQ needs to read Hemingway. Most women don't like him but she would. I am w/ her 100% on the over description and too many characters. Hemingway and writers like him give their readers some respect and allow them to add in the details as THEY see the character. I think we're in the minority on that however.
You may become a publish author... but the Yankees still suck.
Well, there you go. If you get stuck, you could ask everyone to write a chapter or add bits of color commentary. But right now it looks like you're galloping along.
An afternoon trip to the dentist cut short my earlier thoughts so I didn't finish them up. What stands out most right now is the online evidence of ideas and thoughts flowing and writing happening.
While waiting for my appointment, I found this: Something mystical and magical happens when writing about it (a problem). The power of the pen knows no bounds. Through writing, people bypass their constant head chatter and the rationalization that occurs in talking. Writing touches the unconscious in a way that talking does not. It gets beyond the old, to the truth of the real stories within.
What's forming appears to be "a big gang of kids" still somewhat innocent yet on the verge of change, and Joey's gang, mostly corrupt but also on the verge of change. Whatever Joey's lament is going to to be, he too was once a kid and whatever formed him or lit his match is part of the picture, along with the events and choices that are going to follow and move the kids into adulthood.
What I liked about Parker's writing was his ability to combine confident smart ass with semi-thoughtful awareness, and that same ability has been revealed over and over here in posts and comments. May the force be with you!
ndspinelli said ...
(vis a vis liking Hemingway's style)
I think we're in the minority on that however.
If so, I am part of that minority (do I get reparations?)...I like Hemingway, but I have also staggered through various Russian novels, including Dostoyevsky (The Brothers Karamazov...originally a "serial", etc.), and Polish novels like Sienkiewicz (The Steppe, Fire & Sword, the Deluge). Character development nearly made me quit the books...Sienkiewicz can wear you out.
Troop's character development is fine because it is intriguing and prompts imagery from one's own past. That's cool. I've enjoyed the serials of both Joey and Doc...which is unusual for me who almost never reads novels anymore.
This latest serial edition of Joey's Lament prompts memories of my own urban childhood and the solidarity of our block, the games like stoopball and stick ball. IIRC we used high bouncers by Spalding or Penn, and usually worn tennis balls for hand ball against any brick wall without no close windows...like between houses or in the alley. We even had our own "retard", named "Edith", although not Downs, just retarded, slow, but everyone's friend. She was part of us, don't insult her.
Assuming the novel gets off the ground, is a wild success, and you're able to peddle a couple of sequels, have you considered "Joey Gallo's Lament--The Musical"? I'm thinking of a stage production on the order of The Who's "Tommy" with a "West Side Story" twist.
It could produce some excellent songs, something like "What the Fuck Are You Dagos Looking At?" and "Eat Shit and Die, You Irish Bastards." Maybe a ballard, "Shy Shylock" or "He's a Rat, but He's My Cousin."
Funny you should say that windbag. An Irish Bar scene is coming up in which I will use the song "What the Fook Are You Dagos Looking At."
(You need to add the brogue)
Going brogue!
Once you go brogue, something something...
Trooper York wrote...
"Yes you are supposed to be reading them. Not just correcting the spelling."
Later that same day:
"Jeez you are breaking my balls."
And the teacher became the student.
My accent's off since I moved South.
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