I used to watch those when I was a yute. I still think Olive Oyl was a major babe. Sure, she was no Betty Boop, but Betty got around a bit too much, if you take my drift.
Speaking of drifting, we are lucky that there is not a 14' sloop drifting towards Hawaii, from the sound of it. What was the name of the boat?
Dude, the more I think about that story the more concerned I become - what the hey? Don't make me come out there and sign you up for a boating safety class!
First scolding, now neurosis. I better get back to work.
Am I the only one here who thinks that the Robin Williams Popeye movie was actually pretty funny.
My husband and I love this part where Olive Oyle is trying to sign the praises of Blutto and she's having a hard time coming up with good qualities.....but......He's LARGE.. When we can't think of anything good to say about someone we ay together..... but..."He's large"
All kidding aside, I saw that movie something like 30 years ago and enjoyed it immensely. But as a lifelong fan of Popeye cartoons I guess I was conditioned to accept the universe that Segar created, even if it was set in Malta.
I wonder if I would like it if I saw it now. Perhaps someday I shall find out.
El Pollo: Glad you and yours are safe! I've only capsized in a kayak, but that's part of the action. The difference between a kayak and a sailboat is the separation of annoyance from terror.
A friend keeps asking me to go sailing with him. But his stories of running close-hauled into a gale off Nantucket, meant to be bracing and impressive, are enough to remind me how I plan to keep my dinner in my stomach and my head above water by never accepting.
Chip S - listen to DBQ's link - if you can take your eyes off that major babe Shelley Duvall, listen to the synthesizer accompanying Shelley's bravura singing. The musical figure might be described as a series of fragmented chords with each note of the chord played one after the other rather than all at once.
Bach's prelude number 1 in C major from Das Wohltemperierte Klavier might be a familiar example of what I am trying to describe in words.
Each chord in the musical progression of Bach's piece is broken up, arpeggiated, if you will, and that's it. Simple, elegant, beautiful, IMO.
While I have no idea if Philip Glass automated the playing of arpeggios in his music, some of it sounds as if it could have been automated. Some suggest that it was written by a computer. I am in no position to judge - I like some of his work and he has had great success.
Anyway, Harry Nilsson seems to be using that style, if not the philosophy of minimalism, in his Popeye soundtrack. Maybe he was just using coke. One never knows...
Hope that poor explanation helps - I am not a teacher, not much of a student, just a listener and appreciator of music.
@MamaM, the guy had a golden voice. Who would have guessed how much of a dope head he was? The cover photo on Nilsson Schmilsson shows him with a has pipe in his hand. I guess that was his breakfast. It's easy to get lost in his songs, channel-surfing the emotions they evoke.
It's easy to get lost in his songs, channel-surfing the emotions they evoke.
Yes! That was the draw, and that's what his music allowed me to do, but I wouldn't have been able to identify that without your words. Thank you, windbag. Looking back, that's how I spent that first year, emotionally lost while picking up and channel-surfing the feelings of others.
Bach presaged the entire history of music in his life, with chord progressions and melodies that would ultimately come into fashion after his death.
In at least one piece, he goes through all twelve-tones without repeating. (Take that Schoenberg!)
My guitar teacher would talk about such things while I was learning this Bach piece. At about 37 seconds, you can hear a very Glass-ian section that is both arpeggiated and minimalistic.
And I thought Popeye just wasn't funny enough but I should rewatch. That Duvall clip is cute.
But banjo? If I say I like it Troop will go all stereotype on me.
I went looking for the Chromatic piece played on harpsichord - found a lot of different versions, very different skill levels of execution, even found a version played on an amplified clavichord! I used to have a clavichord and I get the need to amplify that sucker, but kids these days, am I right?
I think it takes a lot of restraint to play Bach on a piano - it's very easy to slide in to classical or even romantic playing styles. Yeah - just hit the sustain pedal - you're good!
Here's a non-link to a harpsichord version that I could listen to all the way through:
I've been working on banjo, though I had to put it on hold with the new job. I guess it's okay, since I'm an L.A. boy? Or it's okay 'cause fuck Trooper in the ear.
Listening to that Chromatic one now and I don't think I hear any 12-tone in there, though. I can't always pick it out, even Schoenberg's stuff--but that's at least partly 'cause he cheated (a lot).
I've been tweeting different variations on Bach since you brought it up: Bach for banjo, for koto, for steel drums...was looking for some good electric guitar versions but found them all pretty cheesy.
I hate Sarah Jessica Parker, Robin Williams, Tim Robbins, Susan Saradon, the BJ Hunnicut guy, brussel sprouts, the Boston Red Sox, commies and well, lawyers.
42 comments:
I used to watch those when I was a yute. I still think Olive Oyl was a major babe. Sure, she was no Betty Boop, but Betty got around a bit too much, if you take my drift.
Speaking of drifting, we are lucky that there is not a 14' sloop drifting towards Hawaii, from the sound of it. What was the name of the boat?
Dude, the more I think about that story the more concerned I become - what the hey? Don't make me come out there and sign you up for a boating safety class!
First scolding, now neurosis. I better get back to work.
To El Pollo: when you get yourself back on dry ground.
Thank goodness you and yours are safe.
I'm Pollo the sailor man,
I am a Californian,
The Minnow it was tossed,
My cell phone is now lost,
I'm Pollo the sailor man.
And what DBQ said, for sure. We need you, as who else could make a cell phone out of a freakin' coconut - only Professor E. P. Raylan.
chickie, glad you're all safe and dry now.
Next time, don't try to live-blog while sailing.
Holy transvestite alert at the 42s mark in that cartoon!
What was the name of the boat?
Sloopy Seconds
Thanks, Chip and DBQ!
Hugs, Raylan!
I've determined that I cannot behave.
I can behave. Bad behavior is behavior.
That's why all the guys love Darcy.
She is not afraid to mix it up.
Good show!
fionamcfiddlefaddle indeed.
You go girl!
So, E. P., who is that mystery commenter? I got nuttin.
So, E. P., who is that mystery commenter? I got nuttin.
I've got hunches, but they're unprofessional.
Don't we have a real PI around these parts?
Am I the only one here who thinks that the Robin Williams Popeye movie was actually pretty funny.
My husband and I love this part where Olive Oyle is trying to sign the praises of Blutto and she's having a hard time coming up with good qualities.....but......He's LARGE.. When we can't think of anything good to say about someone we ay together..... but..."He's large"
Popeye is one of my favorite Altman movies.
All kidding aside, I saw that movie something like 30 years ago and enjoyed it immensely. But as a lifelong fan of Popeye cartoons I guess I was conditioned to accept the universe that Segar created, even if it was set in Malta.
I wonder if I would like it if I saw it now. Perhaps someday I shall find out.
From the sound of it Harry Nilsson borrowed Philip Glass' arpeggiator.
Sixty: Ha!
El Pollo: Glad you and yours are safe! I've only capsized in a kayak, but that's part of the action. The difference between a kayak and a sailboat is the separation of annoyance from terror.
A friend keeps asking me to go sailing with him. But his stories of running close-hauled into a gale off Nantucket, meant to be bracing and impressive, are enough to remind me how I plan to keep my dinner in my stomach and my head above water by never accepting.
That was for you Tim, glad you appreciated it.
How about an explanation for us dumbshits?
Sixty, I read an article about that flick. EVERYONE was coked up during the filming.
I never considered that, but in retrospect, I think it shows.
RW was on the front lines of the war on drugs. With a straw.
Scary boat incident, but glad to hear all are okay! As for the rest of you guys-great comments!
Thanks, Troop and Sixty. I was laughing out loud when I wrote that last one. I was just having fun with it.
Chip - what are you looking to catch up on? Raylan's sailing mishap? Or Lem's place?
Chip S - listen to DBQ's link - if you can take your eyes off that major babe Shelley Duvall, listen to the synthesizer accompanying Shelley's bravura singing. The musical figure might be described as a series of fragmented chords with each note of the chord played one after the other rather than all at once.
Bach's prelude number 1 in C major from Das Wohltemperierte Klavier might be a familiar example of what I am trying to describe in words.
Each chord in the musical progression of Bach's piece is broken up, arpeggiated, if you will, and that's it. Simple, elegant, beautiful, IMO.
While I have no idea if Philip Glass automated the playing of arpeggios in his music, some of it sounds as if it could have been automated. Some suggest that it was written by a computer. I am in no position to judge - I like some of his work and he has had great success.
Anyway, Harry Nilsson seems to be using that style, if not the philosophy of minimalism, in his Popeye soundtrack. Maybe he was just using coke. One never knows...
Hope that poor explanation helps - I am not a teacher, not much of a student, just a listener and appreciator of music.
Oh! I have had a few beers. :)
Thanks, Sixty.
Ahhh, Bach.
Harry Nilsson--How About You?
"Doctor, doctor, I feel so bad
This is the worst day, I ever had
Have you this misery a very long time?
Well if you if, I'll lay it on the line
You've got to put on your sailin shoes
Put on your sailing shoes
Everyone will start to cheer
When you put on your sailin' shoes
Sailing Shoes ~ Little Feat
@windbag...A Little Touch of Schmilsson in the Night accompanied me through my first year of college.
Gone is the romance that was so divine.
'Tis broken and cannot be mended.
You must go your way,
And I must go mine.
But now that our love dreams have ended...
What'll I do
When you are far away
And I am blue
What'll I do?
@MamaM, the guy had a golden voice. Who would have guessed how much of a dope head he was? The cover photo on Nilsson Schmilsson shows him with a has pipe in his hand. I guess that was his breakfast. It's easy to get lost in his songs, channel-surfing the emotions they evoke.
It's easy to get lost in his songs, channel-surfing the emotions they evoke.
Yes! That was the draw, and that's what his music allowed me to do, but I wouldn't have been able to identify that without your words. Thank you, windbag. Looking back, that's how I spent that first year, emotionally lost while picking up and channel-surfing the feelings of others.
If you get a chance to watch "Who Is Harry Nilsson and Why Is Everybody Talkin' about Him?" it's worth the time. Netflix used to have it.
They did. It's in the queue! thanks again.
On Saturday morning
There was Popeye the sailor man
He gets it on
When he gets into that spinach can
He beats the hell out of Bluto
And he always gets dat goyl
Skinny but sexy, sleazy, easy
Olive Oyl
Sixty,
Bach presaged the entire history of music in his life, with chord progressions and melodies that would ultimately come into fashion after his death.
In at least one piece, he goes through all twelve-tones without repeating. (Take that Schoenberg!)
My guitar teacher would talk about such things while I was learning this Bach piece. At about 37 seconds, you can hear a very Glass-ian section that is both arpeggiated and minimalistic.
And I thought Popeye just wasn't funny enough but I should rewatch. That Duvall clip is cute.
Thanks for posting that, Blake. I have always liked that piece. It was played at my wedding 44 years ago yesterday.
And despite that, I still enjoy that piece immensely. ;^)
Was this the piece you were referring to?
Love that interpretation. And the hysterics from the YouTube commenters. Heh. (Where would we be without YouTube commenters.)
But, no, this is the one I know of, where the tone-row is part of the theme:
https://www.youtube.com/watch?v=-i6U2HnIbj8
Er, a proper link.
And here's Bach on the banjo because it's pretty close tonally to a harpsichord anyway.
Good one.
But banjo? If I say I like it Troop will go all stereotype on me.
I went looking for the Chromatic piece played on harpsichord - found a lot of different versions, very different skill levels of execution, even found a version played on an amplified clavichord! I used to have a clavichord and I get the need to amplify that sucker, but kids these days, am I right?
I think it takes a lot of restraint to play Bach on a piano - it's very easy to slide in to classical or even romantic playing styles. Yeah - just hit the sustain pedal - you're good!
Here's a non-link to a harpsichord version that I could listen to all the way through:
https://www.youtube.com/watch?v=cspAQJkEM_8
I've been working on banjo, though I had to put it on hold with the new job. I guess it's okay, since I'm an L.A. boy? Or it's okay 'cause fuck Trooper in the ear.
Listening to that Chromatic one now and I don't think I hear any 12-tone in there, though. I can't always pick it out, even Schoenberg's stuff--but that's at least partly 'cause he cheated (a lot).
I've been tweeting different variations on Bach since you brought it up: Bach for banjo, for koto, for steel drums...was looking for some good electric guitar versions but found them all pretty cheesy.
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